Groove Tubes

S30-12C Soul-O 30 Reverb 12 - Soul-O 30 Class A Reverb 12

Soul-O 30 Reverb Combo/Head

This new model for 2003 has a classic all tube preamp with passive EQ and a special PREBIAS control to optimize for various guitar pickups driving the first gain stage. This can also be used to select front end gain structure, from the cleans of the Fender Blackface era, through the crunch of a Plexi era Marshall, and on to very high gain structures of the most high gain amps. There are three distinct gain levels, with a boost function that can be used with each setting, for a total of 6 discreet gain settings.

There is a Gain (volume) with Pull Boost, Bass, Middle, Treble, Presence, Reverb, and Master Volume.

The output stage is specially designed for the 6L6 and will produce 30 watts RMS in the Class A Pentode mode.

Mounted in a lightweight Tolex covered plywood cabinet witha long spring reverb A dual function footswitch to control the Boost and Reverb is an option.

SEII Speaker Emulator

Invented by Aspen Pittman back in 1985, way before it's time, and in the 15 years since the Speaker Emulator breakthrough technology has been on the market, it has created a revolution in studio recording as well as live production of electric guitar. The SE2 converts your tube amp's power section into a pre-amp for either FX processing or direct recording, capturing both the tone and the feel of your amp's performance. Used on hundreds of recordings as well found in the studio or on live tours around the world. After 15 years on the market, the SE2 remains the best way to record or produce your tube amp's real sound and feel without the hassle and other drawbacks associated with using a microphone.

EX112 - Soul-o 1x12 Extension Cabinet

Groove Tube Cabinets

Our 1x12" Classic Clone Speaker cab with a removeable rear plug so that it may be operated as either a closed back or open back design. Our 12" Classic Clone UK speaker is made to our specs by the Celestion speaker company.

Soul-o-Single Amp

Single ended all tube Class A amplifier with ability to use many different types of power tubes such as the KT66, 6L6, EL34, KT88, or 6550. Two stage preamp section that can use any combination of 12AT7 or 12AX7. User can change tubes without rebiasing and create a rainbow of pure tube tones for recording or stage use. Chromed plated chassis, 6 tone and gain controls plus a switchable hi gain boost and the famous GT parallel FX loop with mix control.

The Brick - Tube Microphone and Instrument Preamplifier

Perhaps the most fully featured piece of studio or stage gear, The Brick does a lot in a single package.

This is a tube mic pre for the studio. With Phantom power, and true transformer output, plus an available gain of +55db, The Brick will handle dynamic mics, consensor mics, and ribbon mics.
A tube mic pre for the stage - with onboard phantom power, you can now use higher grade large diaphram mics on stage. Forget about those long cable runs back to the "house system" or house console, The Brick can run 1000 feet and more without the losses of simple direct boxes.
A tube line driver
A tube instrument preamp for the studio - based on our exclusive ViPRE technology.
A tube instrument preamp for the stage.

For details and specs, just follow the link below to download full documentation.

This is the ultimate DI box and instrument preamp for both stage and studio. Allows for isolated balanced low impedance output for all instruments. Provides either unity gain or use the variable output level control for up to 55dB of all tube gain! perfect tube tone and isolation for vintage keyboards, electric bass and acoustic/electric guitars with internal transducer type pickups. Onboard phantom power allows the use of high quality condensor mics on stage.

Please Inquire about our in stock SFX system.

What is SFX?

SFX Technology produces a stunning stereo image in live performance situations– stunning because it emanates from a single cabinet!

Most every guitarist records using stereophonic effects, and also Keyboard players use stereo DSP to get that Hammond/Leslie sound...but these players usually perform in mono. This is because using stereo speakers widely spread on stage will only produce stereo results for the small number of listeners sitting in the center, between the speakers. The listeners on either the Left or Right speaker side will not hear stereo and perhaps not as good of a “complete” sound as a mono speaker would provide. Moving the speakers closer towards each other produces a mono result because the they mix together within just a few feet, so again why bother playing in stereo if nobody can hear it?

SFX is the first and only way play live with convincing stereo effects. Its ground-breaking technology will forever change the rules for live stereo performances.